Rescued A Classic Ampex Tape Deck, R2 Reel...

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Just a simple 601 "Suitcase" model stereo deck.  

Looks just like this:

ampex-601-.jpg

An old Family heirloom.  I used to fool with it in the late 70's, and it went to an Ampex factory service center maybe 1979-1980 for a tune-up.  

I think there are 16-18 vacuum tubes in the Beast.  Been over 35 years since it Spun.  Have to get a Variac and warm it up a bit.

Even if the belts are all Mushed, the input/output sections are considered AWEsome microphone preamp sections.

Hot Tubes & all.

Vintage 1958 or so.  Who's got the Ampex serial # locator ??

Can't help with the serial number, but that is totally cool.

Cool is as cool gets

I have access to 3 of Les Paul's original Ampex tape machines.

The Smithsonian stupidly just denied to house.

I'm an old audio engineer who ended up chasing SMPTE time codes (before a successful 30 year career in electronics)as the world went digital.

Here is a legendary MCI console that was from Miami's Criteria Studio (that was Tom Dowd's).

Layla and every significant hit from Criteria (Eric Clapton, Bee Gee  etc) went through this console.

I basic tracked Richie Blackmore's Deep Purple on it in the '87 or so.

Discrete electronics, that had so much warmth, no EQ was neeed.

MCI-Criteria_Studio-C_Console-7_0.jpg

 

 

That's awesome you got to work on Tom Dowd's console.  I think the old analog stuff is cool.  Briefly worked in a studio with Scully reel-to-reel consoles.  Actually it was a University electronic music lab with a room full of Moog stuff,  and patch bays, lots of cables everywhere. 

I was reading about  Les Paul's "Octopus"  setup on the online Ampex virtual museum.  Forget if it was 8 channels into one reel or 8 reels synced ?  Probably the former. 

Anyway the company history was interesting.  The original dude shipped back a German reel-to-reel deck at the end of WWII and copied that for the prototype. They improved the head design but the transport was  basically the same.  After getting it ready to market,  there was the problem of finding someone to manufacture actual tape.  They'd run out of the 50 or so German reels.  They had a few different companies provide product, but their favorite was the one with a red oxide which was the same used in barn paint. 

It was Bing Crosby who got the company going, ordering a bunch of recorders for his various studios.  They didn't have the cash to get off the ground until he wrote a check for 50 Grand. Then all the major recording places ordered some; ABC, CBS, etc.  The early gen machines were like 300 lbs.

There is burn hole in the leather of the console, that I always dreamed was from Clapton's butt.

I was a studio manager and second engineer for a 48 track recording studio, that was physically the largest in th NY area.

It was in a former "Discotheque".

>>>>

>>>>German reel-to-reel deck at the end

Telefunken maybe?

Bing Crosby knew his shit. Cool story, Stu.

Here's the entire story, rather than my condensed version.  I guess they were using the German machines for some time,  but with USA tubes.

http://museumofmagneticsoundrecording.org/ManufacturersAmpex.html

Stu why do you never post pictures of your "finds" but instead post stock photos from the internet?

I have a Wollensak 1580 from my dearly departed uncle Harry complete with case, 2 microphones, and a bill of sale from Swiss Camera, Inc of Pompano Beach Florida 1966. Don't know much about these things but is it worth anything? ebay says about $50.

http://museumofmagneticsoundrecording.org/RecordersWollensak3M.html 

There's the link to their Wollensak page.  As far as the value,  it's worth whatever enjoyment you  get out of it. Ebay completed auctions are a good gauge of the market, but only go back a little while.

^^ I put up the found photos because it saves time,  and the photos are usually better than mine anyway.

http://reel2reeltexas.com/vinWollensakHistory.html

There's another link regarding that company.  Those guys sell stuff and have a vintage price tracker.  However I believe they charge $$ for access to that data.  Probably not worth spending any $ for a deck that might not fetch a high price.

I don't know anything about your deck,  but if it's Tube-powered,  I think the safe approach is to run it through a Variac so you don't have 120 Volt current hitting it after a long slumber. Of course the physical transport parts decay over time:  belts and such.