I was hanging out at a campsite at a little hippie fest earlier this year and someone put on a studio recording of Mars Retrieval Unit (MRU). It was good, really good.
For years, Relix used to mail to me their magazine every month (don't recall ever ordering or paying for it) and it would come with a mixed CD of all sorts of established and up and coming jam bands, with both live and studio tracks. That's the first time I heard RAQ and was pretty impressed by their studio stuff.
i guess it all depends. When I think of steely dan in the studio I think of them bringing in 7 different guitarists so they could record 7 different solos and then choose the right one. I think of meticulous and long sessions where things are gone over with a fine-tooth comb to make it sound pristine, which is great.
but does anyone “jam” as a band on studio albums? Back where it all began by the Allmans maybe?
Every miss recorded track (minus Sly Stone) that Phil Spector touched was ruined.
George Harrison, Delaney & Bonnie, & his wife Ronnie.
But the jams were epic.
If the walls could speak in many of the recoding studios in the southern California region from the early 1970s they would tell a tale of many missing from tape moments with Ry Cooder. the Eagles, the Ted Templton produced sessions of the Doobie Brothers, Flying Burrito Brothers, many variations of the Byrds, Little Feat, and even Alice Cooper
& Yes the nothing can come close to any of the basic track portion of the recording sessionsof all of the Steely Dan works until they came to skyline studios here in NY to go digital and the tracking was just Fagan running SEMPTE time codes and there was no jamming per say..
Don Fagan.Joe Jackson, and Howard Jones etc run MIDI st ups -Multiple, Instrument, Digital Interface -
Which is the universal digital timing sequence (with numbers) that lets all the Synths, Digital Drums link up any instrument with MIDI capabilities to all start running in the MIDI instruments all at once.
Our heroes Peter Gabriel was a very important factor for MIDI and its application
CLOSE YOUR EYES AND LISTEN TO FAGANS NIGHT FLY, and any Joe Jackson or Howard Jones track, and they do it all via real instrument sounds via digitals samples. But its a one man band really
That is how we make dance music it has been that way since 1986
yes please tell me more about how you need to calibrate the distance from the source, be it human, amplifier or instrument during the “studio jam” portion of the recording session.
thank you
some references and examples from someone other than you would be great too, thanks
>>>>Bring your audio recording knowledge the table or shut the fuck up after I post
weren’t you here begging for money recently? I might be inclined to donate next time if it wasn’t for your persistent and shitty comments like this
go back to ronkonkema and get your shine box, ok pal? Thanks. And if you keep posting your BS ramblings/ boasts about audio recording then you’ll continue to get called out
tell me when you calibrate a singer to their mic, do you prefer to nail their feet to the floor and put them in a halo, or do you prefer the cement shoes method?
My favorite studio jam band has always been the Sons of Champlin. Their first album Sing me a Rainbow is one of the greatest debut albums I've ever heard. They blew The Band off the stage at Winterland on their first visit which was not uncommon for the Sons. For those of you who haven't heard this album check it out and you might even want to Get High.
I was at one of those Winterland shows. Ace of Cups opened, then Sons of Champlin, then The Band. From what I remember, nobody blew anybody off the stage, they were all fucking great.
Note: the days are Thrus, Friday, Sat. on the poster
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Derek and the Dominos
Derek and the Dominos
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CATS just came through CO.
CATS just came through CO. Dates didn't work out for me but will catch them if they swing through again.
Top of Page Bottom of Page PermalinkFull Name: Ken D.
I was hanging out at a
I was hanging out at a campsite at a little hippie fest earlier this year and someone put on a studio recording of Mars Retrieval Unit (MRU). It was good, really good.
For years, Relix used to mail to me their magazine every month (don't recall ever ordering or paying for it) and it would come with a mixed CD of all sorts of established and up and coming jam bands, with both live and studio tracks. That's the first time I heard RAQ and was pretty impressed by their studio stuff.
Lawn Boy is a pretty solid studio recording.
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God Street Wine ~
God Street Wine ~
Top of Page Bottom of Page PermalinkFull Name: joy
The Breakfast
The Breakfast
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Steely Dan
Steely Dan
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(No subject)
Top of Page Bottom of Page PermalinkFull Name: .............
Traveling Wilburys
Traveling Wilburys
Top of Page Bottom of Page PermalinkFull Name: Bucky Badger
>>>Steely Dan
>>>Steely Dan
i guess it all depends. When I think of steely dan in the studio I think of them bringing in 7 different guitarists so they could record 7 different solos and then choose the right one. I think of meticulous and long sessions where things are gone over with a fine-tooth comb to make it sound pristine, which is great.
but does anyone “jam” as a band on studio albums? Back where it all began by the Allmans maybe?
Top of Page Bottom of Page PermalinkFull Name: Steve E.
Traveling Wilburys< This
Traveling Wilburys< This
Top of Page Bottom of Page PermalinkFull Name: Bluelight
Every miss recorded track
Every miss recorded track (minus Sly Stone) that Phil Spector touched was ruined.
George Harrison, Delaney & Bonnie, & his wife Ronnie.
But the jams were epic.
If the walls could speak in many of the recoding studios in the southern California region from the early 1970s they would tell a tale of many missing from tape moments with Ry Cooder. the Eagles, the Ted Templton produced sessions of the Doobie Brothers, Flying Burrito Brothers, many variations of the Byrds, Little Feat, and even Alice Cooper
& Yes the nothing can come close to any of the basic track portion of the recording sessions of all of the Steely Dan works until they came to skyline studios here in NY to go digital and the tracking was just Fagan running SEMPTE time codes and there was no jamming per say..
Top of Page Bottom of Page PermalinkFull Name: jazfish
Bummer.
Bummer.
Top of Page Bottom of Page PermalinkFull Name: .............
Stepponwolf, Grand Funk, and
Steppenwolf, Grand Funk, and one drunken Iron Butterfly session come to mind as well...
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"studio jam band" is a
"studio jam band" is a contradiction of terms.
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Studio is a location.
Studio is a location.
Top of Page Bottom of Page PermalinkFull Name: nebulous nelly
Miles Davis — trumpet
Miles Davis — trumpet
John Coltrane — tenor saxophone
Red Garland — piano
Paul Chambers — bass
Philly Joe Jones — drums
increased to Sextet in 1958 with Cannonball Adderley — alto saxophone
OR...
Miles Davis — trumpet
Wayne Shorter — tenor saxophone
Herbie Hancock — piano
Ron Carter — bass
Tony Williams — drums
The Headhunters weren't bad either
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Thee Oh Sees
Thee Oh Sees
PS
Jambands SUUUUUUUUCK
Top of Page Bottom of Page PermalinkFull Name: Bluelight
A studio jam is needed to
A studio jam is needed to calibrate the distance from the microphones from both the instruments & those used for ambiant settings.
If there is no jamming right prior to recording they are either Howard Jones or a band that wil not be as such, by the end of the session.
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^could you elaborate on
^could you elaborate on Howard Jones
Top of Page Bottom of Page PermalinkFull Name: Bluelight
Fegan.Joe Jackson, and Howard
Don Fagan.Joe Jackson, and Howard Jones etc run MIDI st ups -Multiple, Instrument, Digital Interface -
Which is the universal digital timing sequence (with numbers) that lets all the Synths, Digital Drums link up any instrument with MIDI capabilities to all start running in the MIDI instruments all at once.
Our heroes Peter Gabriel was a very important factor for MIDI and its application
CLOSE YOUR EYES AND LISTEN TO FAGANS NIGHT FLY, and any Joe Jackson or Howard Jones track, and they do it all via real instrument sounds via digitals samples. But its a one man band really
That is how we make dance music it has been that way since 1986
Top of Page Bottom of Page PermalinkFull Name: Bucky Badger
>>>A studio jam is needed to
>>>A studio jam is needed to calibrate the distance from the microphones from both the instruments & those used for ambiant settings.
uh, no
Top of Page Bottom of Page PermalinkFull Name: Bluelight
Ah yeah.
Ah yeah.
This wil be fun fun fiun.
Bring your audio recording knowledge the table or shut the fuck up after I post
Farmer ~
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lol
lol
Top of Page Bottom of Page PermalinkFull Name: Bucky Badger
yes please tell me more about
yes please tell me more about how you need to calibrate the distance from the source, be it human, amplifier or instrument during the “studio jam” portion of the recording session.
thank you
some references and examples from someone other than you would be great too, thanks
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Inverse square law anyone?
Inverse square law anyone?
Top of Page Bottom of Page PermalinkFull Name: Bucky Badger
>>>>Bring your audio
>>>>Bring your audio recording knowledge the table or shut the fuck up after I post
weren’t you here begging for money recently? I might be inclined to donate next time if it wasn’t for your persistent and shitty comments like this
go back to ronkonkema and get your shine box, ok pal? Thanks. And if you keep posting your BS ramblings/ boasts about audio recording then you’ll continue to get called out
Top of Page Bottom of Page PermalinkFull Name: Bluelight
Its a set practice audio
Its a set practice in audio engineering since 1929 & as standard like an XLR PLUG OR AC electric adapter.
Like open heart surgery, its not up for debate
Go have a beer on me tonight. a CHEAP one tho
Rolling Stones Tumbling Dice 7 Mini Movie
https://www.youtube.com/watch?v=-XjizmqVgWQ
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Are you sure you are not
Are you sure you are not talking about a soundcheck?
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sure thing washy
sure thing washy
tell me when you calibrate a singer to their mic, do you prefer to nail their feet to the floor and put them in a halo, or do you prefer the cement shoes method?
Top of Page Bottom of Page PermalinkFull Name: Bluelight
We got thread going though &
Dude I am multi track engineer who is now working for Def Records as a PRODUCER, not a pa lady
We got thread going though & I got to play wth new colors Slacker
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We all aren’t on opioids
We all aren’t on opioids buddy, just keep that in mind. But really, I wish you the best in every effort, both real and imagined.
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(mostly imagined)
(mostly imagined)
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http://www.dead.net/features
http://www.dead.net/features/dead-covers-project-profiles/dead-covers-pr...
The Ludholm Brothers.
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I think somebody's
I think somebody's compression settings are off...
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Prince - Jazz Funk Sessions
Prince!
Jazz Funk Sessions 1977
https://www.youtube.com/watch?v=9aMyC5bm1uA
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(No subject)
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Traffic
Traffic
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Playing In The Band from "Ace
Playing In The Band from "Ace" is a nice studio jam.
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Them Circles 'Round the Sun
Them Circles 'Round the Sun boys can jam it in the studio.
Top of Page Bottom of Page PermalinkFull Name: Alan R
(No subject)
Top of Page Bottom of Page PermalinkFull Name: eyes>too
My favorite studio jam band
My favorite studio jam band has always been the Sons of Champlin. Their first album Sing me a Rainbow is one of the greatest debut albums I've ever heard. They blew The Band off the stage at Winterland on their first visit which was not uncommon for the Sons. For those of you who haven't heard this album check it out and you might even want to Get High.
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Jerry in the studio
Jerry in the studio
https://www.youtube.com/watch?v=Mr0_kQ8m3BY&fbclid=IwAR0pVDfz-GvKzY7UIAh...
Top of Page Bottom of Page PermalinkFull Name: treat island
clayton ron, I was at that
I was at one of those Winterland shows. Ace of Cups opened, then Sons of Champlin, then The Band. From what I remember, nobody blew anybody off the stage, they were all fucking great.
Note: the days are Thrus, Friday, Sat. on the poster
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traffic is a good call.
traffic is a good call.
Top of Page Bottom of Page PermalinkFull Name: Dave
The Paul Butterfield Blues
The Paul Butterfield Blues Band
Paul Butterfield — vocals, harmonica
Mike Bloomfield — electric guitar
Elvin Bishop — electric guitar, vocals
Mark Naftalin — piano, organ
Jerome Arnold — bass
Billy Davenport — drums