How is fake Jerry surviving during the pandemic?

Ghosting Rob Eaton's phone calls and walking around puffy chested because he knew Phil and Bobby probably wasn't the best decision. I would bet those DSO guys make a solid $150k a year. 

Let us never forget..

https://www.jambase.com/article/headstash-john-kadlecik-critique

On Monday night, guitarist John Kadlecik brought his band to The High Dive in Gainesville, Florida; where apparently he didn’t have a good experience. Kadlecik complained not only about the venue but about opening act Headstash in a since-deleted Facebook post. Headstash took the criticism in stride and wrote a response, which led Kadlecik to apologize for bringing the band into the situation.

Here’s what the former Furthur guitarist wrote in the first since-deleted Facebook post:

blech… bad vibes in Gainesville. I wonder if local authorities/chamber of commerce do their best to keep the dreaded “deadhead gang” down since the tear gas/cancelled show incident in 1994.

At any rate, I would advise touring bands to avoid the High Dive. It is not a “deadhead friendly” venue. No posters up for the show in the venue, the calendar poster had my name spelled wrong with no mention of “band” (an important distinction, since I play solo all over the country as well as with several bands.) This was true last year, as as well, as one fan reminded me after the show.

Also, instead of being allowed to play 2 sets (like every show on this tour) starting at a reasonable Monday night showtime of 8pm for ticket buying fans last night, we were forced to play one set starting at 9:30, with an opening band that, I am sorry guys (and gal), had no business playing through a PA system let alone providing support for a national touring band that can play (and has played) three 2-set nights in a row without repeating songs. **I am someone who believes making music is a human birthright** AND I am all for helping the local scene, AND I am all for deadheads having fun jamming together, but not at the expense of limiting the length of our show for folks who were kind enough to purchase tickets to see us. Or at the expense of representing the highest potential of what Grateful Dead music can be. To Head Stash, I mean no ill will towards you, and I hope you are having fun and encourage you to keep at it, but you are, putting it kindly, not ready for prime-time, and I suspect local clubs take advantage of your willingness to take any gig for peanuts as well as using you to scare off would-be fans from the the whole “Dead-cover/tribute band” scene in general. I apologize if this sounds harsh, but my music teachers (including Bob Weir & Phil Lesh) never pulled any punches or held back honest critiques either. Good luck, but be careful. Hunter S. Thompson’s classic quote about the music biz is sadly, very real.